Discussing, the ephemeral world of abhyas or constant practice the journal revealed how this process centers and roots the self.
The journal captured a multivocal –resonance which summed up the spirit of contemporary India.
The journal took examples from miniature painting, manuscripts, folk art psychology dance and yoga.
The journal explored the multiplicity that was prevailing in the country with India increasingly capturing the imagination of the world.
Through epitomizing the intermingling between art, architecture and design, the principles of understanding art were defined.
Devoted exclusively to photography, the journal explored the medium from different perspectives and trajectories.
‘Internationalism, Cosmopolitanism and Globalisation’ targeted the inbuilt capacity of aesthetic values to be shared by human beings independently from ethnic identies, ethical and religious conditionings.